The quality of the staging is also to be underlined. We are also struck by the quality of the image, a real challenge in this ungrateful landscape made of port infrastructures, concrete buildings, highways and supermarkets. And therein lies the main quality of the film: to be realistic, close to documentary, while being a real fiction, a very well paced story as a result, one never gets bored. But it draws from the journalist's investigation, and the actresses' life experiences, all the numerous details of the reality of the lives of these persons. The film speaks of a writer (and not a journalist) to mark the distance from Aubenas' book. Some of these women knew Florence Aubenas. He has constructed a script that features the writer (unlike Aubenas' book, "Le quai de Ouistreham", which is silent on her own activity) and actresses, none of whom is a professional. But Emmanuel Carrère does not offer us a documentary but a real fiction film. The film is based on the investigation of Florence Aubenas, a famous journalist, who wrote a magnificent book on the women who work on the ferries after having worked there herself as a hired worker. We participate in the joys and sorrows of these women that the hard life does not prevent them from living with determination, pride and even joy.
#TWO WORLDS 3 2021 PROFESSIONAL#
Lambert holds the film with her acting and the intensity of her gaze from start to finish, as much as the professional actress Juliette Binoche. Moreover, the script features Hélène Lambert and Juliette Binoche in the first and last scenes.
The relationship between the writer and Chrystèle structure the film and its outcome.
But the film shows, with great simplicity, not good feelings, but rather human bonds of great sincerity. The film shows the relationships that develop between all the characters in this group of women, who work hard but who also show solidarity. She gets the job thanks to Chrystèle (a formidable Hélène Lambert, who is not a professional actress). After a few adventures that allow us to grasp the atmosphere in the region in a very palpable way, the writer ends up being hired by a team of women who work at cleaning the cabins of the ferries. She pretends to be a woman looking for a job, hiding her true high middle-class condition and her intellectual profession. The film focuses on the main character Marianne (Juliette Binoche, splendid), a writer who wants to conduct an investigation to describe the daily life of people who live only through precarious jobs, or are unemployed, people affected by the economic crisis. The film takes place in Ouistreham, Normandy (France) on the quay of the ferries that cross the Channel to the UK.
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